Toto, the main character in the film Cinema Paradiso is a lost child who requires the support and guidance of a father, the one thing missing in his life. When Alfredo takes his hand away, cinema paradiso essay, the face of an older Toto appears. Being away from his home, and being as successful as he is now he forgot how it was to be in love. Limited time Offer. One in the evening, sitting in his wealthy apartment cinema paradiso essay Rome, aged De Vita receives a call from his mother from hometown in Sicily.
Discussion and Storytelling
The story begins after Toto is informed of the death of his dearest friend, Alfredo. At this point, cinema paradiso essay, Toto is a mature man and a successful film director, having long ago left his home town, Giancaldo, cinema paradiso essay. Throughout the movie, however, Toto is a young boy with little parental support and direction. Alfredo takes Toto under his supervision and eventually agrees to take him as an apprentice. As Toto becomes familiar with the inside of the projection booth, he also learns about life. Alfredo becomes the father Toto has never had. While he goes to school all day, he spends his nights with Alfredo in the projection booth. Without someone to look up to, Toto, continually gets himself into trouble.
This remains true in many families across the world, that without the ample support of both parents, many children find themselves lost. In one scene, in which Toto, who works also as an altar boy, walks with the village priest in the intolerably hot summer sun, cinema paradiso essay, Alfredo passes cinema paradiso essay on a bicycle. Because Toto is too lazy to walk back to the village, he feigns a leg injury and hitches a ride behind Alfredo. As both of them ride back to Giancaldo, Toto asks Alfredo about his father. Its as if Alfredo knows he can be of help and guidance to the cinema paradiso essay boys life.
This could spark the concerns that Alfredo never had any children of his own to love. Instead of meaning his own children, Alfredo is referring to Toto. It also portrays Alfredo as a father by having Toto ride on the handle bars of the bicycle. As they are walking back through cinema paradiso essay massive rubble created by war, Toto holds the had of his weeping mother. He looks over at a film poster advertising Gone with the Wind. When Toto sees this man holding a woman in the poster he now realizes what cinema paradiso essay important piece of his life is now gone forever. He smiles knowing how much his mother and father both loved each other. This scene is also important because it shows a transition of moving on for both Toto and his mother.
There is an unfortunate accident at the Cinema Paradiso, a fire starts when the projector ignites the film. As Alfredo acts to cinema paradiso essay the fire, the reel of the projector explodes and blinds him in the process. Although this event tragic, cinema paradiso essay, from it evolves a wiser and resourceful Alfredo. The accident provided Alfredo with an enlightenment on life and a once hidden prospective. When Alfredo takes his hand away, the face of an older Toto appears, cinema paradiso essay. Toto begins to find interest in the opposite sex when he sees a new girl in his school. Something that most fathers talk about with their sons. Alfredo tells Toto the story of a solider who falls in love with a princess.
If you figure it out, you tell me. Without this positive male role model, Toto could have ended up in jail or other serious trouble, but with the guidance of Alfredo cinema paradiso essay was able to succeed into adulthood. Growing up in Giancaldo offered him a broad prospective on life and the world around it. With the direction given to him by Alfredo, Toto was able to come out of his young adulthood with knowledge and wits he would have never learned without him. I think what Alfredo wants is what he never got, to explore life outside of his hometown. Introduction The youngest of the Philippine arts, film has evolved to become the most popular…. An architect designs and sometimes supervises the construction of buildings.
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helping essay
It was if she forgot about everything, all the years of her son gone, but all of a sudden everything is back to normal, and life is good. At the point of the films conclusion, one can really see how this one instrumental good can change the lives for Salvatore, Alfredo and for the entire community of Giancaldo. The fact that Salvatore had such respect for Alfredo really made it emotional at the end of the movie. Ever since Salvatore left his home to pursue his dream, it was clear that there was still something missing in his life. His attachment to Giancaldo never left his mind. One was able to see this by how he sent his family money every month since he was gone. Being away from his home, and being as successful as he is now he forgot how it was to be in love.
His detachment from his home was critical. I feel that being away from Giancaldo for so long, made him realize his love and passion towards his family and the sense of community. I felt that, throughout the years Alfredo had seen the passion that Salvatore had for film, and because of their close friendship, Alfredo wanted to see him succeed. At the end of the film I really appreciated the relationship that Alfredo and Salvatore had. Home Page Life Family Cinema Paradiso. Available Only on StudyHippo. Family , Film Analysis , Love , Movies , Personal. Pages: 4 words Published: December 19, Type: Film Analysis. View Entire Sample Download Sample. Text preview. In the evenings, the entire town would gathe Saved Essays. Topics in Paper. Example Essays. Cinema Paradiso. Continue reading this essay Continue reading Page 1 of 5.
Next Page. More Essays:. APA MLA Chicago Cinema Paradiso. In MegaEssays. Happiness does not come in a certain period of time a hundred days of vigil by the window of the Princess. It is in every hour, every moment, and every action committed for its approach. Alfredo suffers because he is not the creator of the films. But he does not realize that without his efforts, a film strip is only a useless thing on a shelf, and that only his work makes viewers and the boy Toto a little different each time they watch a movie. A wise, experienced projectionist Alfredo in a stunning performance of Philippe Noiret says that life is more complicated than it is described in movies. Well, he is right, and, indeed, life, and human destiny often surprise with such plot moves that the only thing left is to amuse.
I have immensely enjoyed another thought of Noiret hero that a strong, big love can only become dust. He is right again because there is a lot of examples of all-consuming passion and love which end with sorrow or even tragedy. Symbolically, in the end, after a fire in the old cinema, Alfredo loses his sight, and Salvatore takes his place at the projector. Touching, but not sentimental scenes where little Toto assemble some mechanics when he finally manages to get into projectionist booth. The reels of films become toys to him. He denies himself ice cream and candies to afford to buy a ticket for each new film on the screen of "Paradiso. Thus, he meets classic movies. In summer, film screens from the closed auditoria are brought to an open-air cinema, and all who do not have money to watch movies can enjoy them for free.
Later, Salvatore, played by a young actor Marco Leonardi, falls in love with a girl whose noble parents do not let her marry the projectionist. Therefore, he joins the military. Salvatore has become a well-known director who donates money for the restoration of the "Paradiso", so that his favorite cinema does not become a regular supermarket or a disco club. Perhaps, the appearance of the charming actor is the only false note in the whole film.
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